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Nines and Mahalia were the big winners at the MOBO Awards.

The ‘Airplane Mode’ rapper took home the Album of the Year award for his LP, ‘Crabs in a Bucket’, as well as Best Hip Hop Act at the music awards, which went virtual for 2020 due to the coronavirus pandemic on Wednesday night (09.12.20).

And Mahalia took home the Best Female Act prize as well as Best R&B/Soul Act whilst Young T & Bugsey won Song of the Year for their track, featuring Headie One, with their viral song ‘Don’t Rush’. Best Male Act went to Headie One whilst Burna Boy took home Best International Act. Chunkz – who hosted the award show with Maya Jama – won Best Media Personality whilst Aitch took home the Best Newcomer prize.

Steve McQueen won the Inspiration Award and he thanked them for the “extraordinary prize”.

The ’12 Years a Slave’ filmmaker said: “This is an extraordinary prize. Thank you so much. The MOBO Awards for me is part of the idea of Small Acts. When people didn’t want to recognise us, we recognised ourselves and that’s given me the inspiration to go forward.”

It comes as MOBO Awards founder Kanya King launched MOBOLISE, which aims to connect black people to the best career opportunities and open the conversation about diversity.

Kanya said: “Studies show that having more diverse talent has a positive impact on the bottom line. That is why we have launched MOBOLISE as a powerful tool for companies and organisations to drive diversity within their workforces and leaderships.

“We want to bring allies and advocates together so they can access talent of all ages and backgrounds with a wide range of abilities from a more diverse pool.”

Supporting the new campaign, singer Emeli Sande added: “I definitely feel that we need more representation within executive roles. It still is completely disproportionate – even more so now that you have so much black music in the charts.”Still I can count on one hand how many executives I know. You go into the labels, and you have people and A&Rs, but to actually get to the top boss and sit in an office and it be a black man, let alone black woman, is very, very rare.”

A full list of MOBO Award winners are as follows:

Best Male Act – Headie One

Best Female Act – Mahalia

Album of the Year – Nine, ‘Crabs in a Bucket’

Song of the Year – Young T & Bugsey ft. Headie One, ‘Don’t Rush’.

Best Newcomer – Aitch

Video of the Year – NSG, ‘Lupita’

Best R&B/Soul Act – Mahalia

Best Hip Hop Act – Nines

Best Grime Act – JME

Best International Act – Burna Boy

Best Performance in a TV Show/Film – Michael Ward, ‘Blue Story’

Best Media Personality – Chunkz

Best Album (2017-2019) – Ella Mai, ‘Ella Mai’

Best African Act – Wizkid

Best Reggae Act – Buju Banton

Best Gospel Act – Calledout Music

Best Jazz Act – Ego Ella May

Best Producer – Jae 5

Inspiration Award – Steve McQueen

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Adele | ‘It’s crazy how little I remember’: Adele marks 10th anniversary of 21

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Adele doesn’t “remember” much from the period in which she created ’21’.

The ‘Set Fire to the Rain’ hitmaker has marked the 10th anniversary of her seminal second studio album, and confessed that her memory of making the record and how she felt at the time is blurry.

She captioned the artwork on Instagram: “Well I never! Happy 10 years old friend! It’s crazy how little I remember of what it was like and how I felt a decade ago. But Thank You from the bottom of my heart for letting us into your lives and letting me be a soundtrack to some of it x (sic)”

The 2011 LP – which featured hit singles such as ‘Rolling in the Deep’ and ‘Someone Like You’ – was written after the 32-year-old singer’s separation from her then-partner.

Adele is rumoured to be releasing her hotly-anticipated follow-up to 2015’s ’25’ next month.

And the ’Skyfall’ hitmaker has once again poured her “heart and soul” into the new record and found music “like therapy” after the end of her marriage to Simon Konecki in 2019.

A source said previously: “Adele is pouring her heart and soul into this record, including how she feels post-divorce

“She’s been a fan of Raphael since she was a teenager and loves his back catalogue. She wants her next album to be full of soul, with a more eclectic sound.”

The Grammy-winner’s close pal, Alan Carr, recently teased that the album sounds “so amazing”.

The 44-year-old comedian – who got Adele to officiate his Los Angeles wedding to Paul Drayton in 2018 – spilled: “I’ve heard some tracks on it.

“Oh my gosh, it’s so amazing. It’s so amazing.

“I said to her, I said, ‘That voice is like an old friend.’ It’s like an old friend. Because there are some people [on] the charts who sound a bit like Adele and you go, ‘Oh they sound [like] Adele,’ and then when you hear Adele’s voice again you go, ‘Oh no, there’s only one. There’s only one Adele.’”

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Ralph Fiennes | Ralph Fiennes: The Dig script left me in tears

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Ralph Fiennes was “in tears” when he read ‘The Dig’ script for the first time.

The 58-year-old actor portrays archaeologist Basil Brown – who discovered discovered and excavated a 7th-century Anglo-Saxon burial ship in Suffolk in 1939 – in the new movie and he was attracted to the film because of the unique platonic relationship between his character and Carey Mulligan’s Edith Pretty, the terminally ill owner of the excavation site.

He said: “I was in tears when I finished reading it because the relationship between Edith and Basil was so obviously not about that. I can’t remember a time when I’ve seen a similar relationship portrayed on film.”

And Ralph was horrified to learn that an earlier draft of the script featured a romantic moment between the two.

Director Simon Stone admitted: “There was a kiss in a much earlier draft.”

Ralph exclaimed: “I don’t remember that! And I think I read the script earlier than Simon did, so it must’ve happened between my version and yours.”

The veteran actor could hear a tone of his own parents in some of the dialogue from his kindly character.

He said: “I can hear my mum saying similar things. You know? ‘You learn through failure. It’s painful, but you learn.’ ”

Ralph has won praise for his Suffolk accent in the movie, which he credits to his dialect coach Charlie Haylock, but he admitted that on one night, he treated pals in a pub to the delivery of a Shakespeare soliloquy in his character’s voice “out of playfulness”.

He told The Times Saturday Review: “The thing is that there was no Standard English before the 18th century.

“Everyone spoke in their own accents. I had heard that from Peter Hall, who used to say, ‘There was no beautiful English in Elizabethan theatre!’

“So, yes, out of playfulness I did, ‘To be or not to be that is the question whether ’tis nobler . . . to sleep no more.’ Yes. You could say I was showing off a bit.”

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Matthew McConaughey | Matthew McConaughey needed exile to land dramatic roles

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Matthew Mcconaughey has admitted “no one” wanted to cast him after he rejected romantic comedies.

The 51-year-old star – who became a Hollywood heart throb after starring in movies like ‘The Wedding Planner’, ‘Ghosts of Girlfriends Past’ and ‘How to Lose a Guy in 10 Days’ – once turned down $14.5 million offer for a rom-com after a six month sabbatical from the film industry to get away from the genre.

Speaking on ‘The Brian Buffini Show’, he said: “Now, 14 months go by after that six months where nothing comes in, I call my agent every other day, ‘What do you got?’

“‘Buddy, no one is even mentioning your name. I bring up your name they say, ‘Don’t even want to talk about it.’ Now I’m going, ‘I may have just taken a one-way ticket out of Hollywood. I may never work in Hollywood again’.

“But I had a hunch that I was like with each day – You know when you go and you endure something and you’re taking a pennant, with each day you build a little bit more honour and strength to drag it into this, the less it’s even going to be a possibility of me going back. I was not going back.”

The ‘Dallas Buyers Club’ actor’s plan worked out, as his self-imposed exile resulted in people wanted to get him on board for different projects.

He added: “Guess who is now a new novel good idea for dramatic roles like ‘Killer Joe’, ‘Mud’, ‘Paperboy’, ‘Bernie’, ‘True Detective’, ‘Dallas Buyers Club’, ‘Magic Mike’? Me. I found anonymity in the 20 months.

“I turned into, ‘Where the hell’s McConaughey? He’s not in a rom-com in the theatre in front of me. He’s not in a rom-com in my living room. I’m not seeing him shirtless on the beach, where the hell is he? I don’t know what he’s doing.’

“I found anonymity. I unbranded, and then when those came to me, the scripts came to me that I want to do that dramatic fair, I attacked it with fangs instead and just ate it up, because I knew what I wanted to do, but it was the unbranding. It was the go find anonymity again.”

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